Mon El Is Mako, and That’s Not a Great Thing for Kara

After talking with Kylie, one of my fellow editors over at The Fandomentals, it seems more and more clear that Mon El takes after Mako from Legend of Korra, especially after the so-called 'bickering' we saw between Mon El and Kara on last night's episode. She's covered Mako's castration anxiety pretty well on her blog (go read the post, it's an excellent analysis), so I'll mostly just be drawing parallels.

Mon El's Protectiveness & Castration Anxiety

Despite being raised in a privileged position, Mon El seems to have the same need to act as Kara's protector and be useful to her that way as Mako does Korra. Last night wasn't the first time Mon El has asserted his need to protect her against her will. He chose to 'protect' her in "We Can Be Heroes", which put civilians at risk. Because unlike her, humans are squishy and can actually be hurt or killed by bullets and electricity. She calls him on his needless (and idiotic) protective urge, but it doesn't stop him from trying to take out Livewire for her later that same episode. [caption id="" align="aligncenter" width="250"] What 'honor' of hers was in need of protecting?[/caption] Last night was just more of the same. Mon El believes Kara is in need of his protection and guidance. She doesn't know what's good for her. He knows best how to take out Mr. Mxyzptlk (or, Mxy) and when Kara gives him a direct order to let her handle it, Mon El ignores it (much like he did in "We Can Be Heroes"). Just about all of his attempts to protect her end in utter failure. The times Mon El does succeed in being a useful partner are when he's just that, a partner. Not a protector. When he fights with her, and follows her directions, they can do teamwork well.

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A Few Good Character Moments Are Not Enough

Or, Why The 100 Has Failed To Regain My Benefit of the Doubt
I'll start by saying I'm a long time watcher of Supergirl, a show devoted to second chances and the benefit of the doubt. If the creative team behind a piece of media proves itself to be listening to fan and media criticism and changes for the better? I'm all for welcoming it with open arms. Bryke accomplished that with Legend of Korra, so I know it can be done. I'm open to shows proving themselves to be better with hard work, commitment to thorough and consistent characterization, meaningful themes, and conscious course correcting their previous mistakes. I see none of these on The 100, despite what more positive reviewers are currently saying. That might be because I criticized the show for more than just Lexa's death, though I did vociferously call them out for that, too. Several of my fellow writers over at the Fandomentalist did as well. Nevertheless, if you read my reviews from last season and my series of three retrospectives co-authored with my friend Elizabeth, you'll see that I had issues with far more than one character's death. In fact, it is the failure to address my other frustrations with last season that have prevented the show from earning back my neutrality.

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An Introduction to My History With The 100

For those of you who might not be aware, my first TV review gig was reviewing The 100 for The Fandomentals last year. Yeah, that’s right the year. I was on the…